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See photos of celebrities like Scarlett Johansson and Leonardo DiCaprio before they hit the big-time, and revisit their earliest onscreen roles. See the full gallery.

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Up 3, this week. Actor Writer Soundtrack. He went to school for four years, then quit to work with his father selling vegetables from a horse cart.

At eleven, after many fights with his alcoholic father who hit him on the head with a shovel , he ran Filmography by Job Trailers and Videos. Share this page:.

In Memoriam: Deaths in the s. Favourite Actors. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of W.

Fields's work have you seen? Go and Get Your Bicycle! Known For. It's a Gift Harold Bissonette. My Little Chickadee Cuthbert J. Eustace P.

Wiggs of the Cabbage Patch Mr. Sam Bisbee. Effingham Bellweather. TV Series documentary 1 episode - W. Fields B-7 Short Self.

A-9 Short Self uncredited. Cuthbert J. In , with his popularity blossoming in the USA, John caused somewhat of a stir with the release of a drummer less acoustic live album entitled "The Turning Point", from which his song "Room To Move" was destined to become a rock classic.

He received a gold record for this album. Attracted by the West Coast climate and culture, John then made his permanent move from England to Laurel Canyon in Los Angeles and began forming bands with American musicians.

The year proved to be a pivotal, transitional, and climactic year for John Mayall, both personally and professionally. With the public climate being at an all-time low for blues music, Mayall struggled to keep his live and recording career afloat.

Determined to rise from the ashes, Mayall persevered. A whole new generation of followers could get a taste of how it all sounded live two decades before at the birth of the British Blues explosion.

By the time Mick and John had returned to their respective careers, public reaction had convinced Mayall that he should return to his driving blues roots.

Officially launched in , it included future stars in their own right, guitarists Coco Montoya and Walter Trout, as well as drummer Joe Yuele, who is still john's rhythmic mainstay.

In , Texas guitarist Buddy Whittington joined the Bluesbreakers and over the years he has energized the band with his unique and fiery ideas.

Making his recording debut on Mayall's "Spinning Coin" album, he proved to be more than equal to following in the footsteps of his illustrious predecessors.

After that, they released two modern classics: "Blues For the Lost Days" and "Padlock On The Blues", the latter co-produced by John and his wife Maggie, featuring a rare collaboration with the great blues legend John Lee Hooker, who had been Mayall's close friend since the early 60's.

These albums have all garnered great reviews, critical and popular acclaim and represent Mayall's ongoing mastery of the blues and his continuing importance in contemporary music.

They are "Time Capsule" containing historic live tapes-no longer available , "UK Tour 2K" live recordings from the Bluesbreakers British tour , and a selection of solo performances from John entitled "Boogie Woogie Man".

Mayall continues to strive to remain true to the timeless music that first inspired this skinny young British lad, living in the shadow of WWII, to teach himself the guitar, harmonica and piano so many years ago.

This millennium has proved to be as productive so far. In Mayall with the Bluesbreakers, again produced by David Z.

Ian McCalman - voclas, guitar, weirdolin , bodhran Hamish Bayne - vocals, mouth organ, flageolet Derek Moffat - vocals, guitar. Nick Keir - guitar, mandolin, flageolet , mouth organ, vocals Stephen Quigg - guitar, mouth organ, bodhran, vocals.

Conversation led to the discovery of a common interest in folk music which led to the formation of a band with which they would accomplish great popularity both on the Scottish folk music scene and worldwide for over forty years.

They developed a style characterised by a tight three-part harmony vocal, virtuoso instrumentalism and a dry self-deprecating wit. In , Nick Keir formerly with Finn mac Cuill replaced Hamish Bayne who left to make concertinas and Stephen Quigg replaced Derek Moffat during a period of illness from which he never recovered.

Derek died, aged 54, on the 21 st of October Lyn and Graham McCarthy. They wrote original songs, performed covers and adapted traditional material.

Later: Rab Howat - guitar. He then formed 'The Chris McClure Set' who played at the ballroom once in '67 and again in '68 before they returned as 'The Chris McClure Section' in 69 and continued until at least if not By Chris McClure had a solo career on the social club and cabaret circuit as 'Christian'.

George McCrae. His first smash, 's Rock Your Baby inspired the disco soul sound that became prevalent on radios and dance floors of the seventies.

Other singles followed but couldn't hit the dizzy heights of his earlier success. He continues to write and perform to sell out concerts around the world.

Alastair McDonald. Never one to be easily tied down to pigeon-hole categories, he is probably best known as " You will find Alastair McDonald equally at home in a jazz club, folk club, variety show, theatre, concert hall or Church - not because he tailors his performance to the venue of the moment, but rather, as a confessing Christian, believes that a solid, entertaining, wholesome, uncompromising, thought provoking repertoire should know no bounds or require an apology wherever it may be performed.

Glasgow born, in , Matt McGinn became one of the most important, influential and popular topical songwriters in the UK.

After gaining a diploma in economics and political science, he trained as a teacher and taught in Rutherglen for three years. He entered the folk business after winning a song contest with a song entitled "The Foreman O'Rourke.

His involvement in the folk revival of the 's was soon augmented by a career as a humourist and playwright while he also had passionate political beliefs.

He was a prolific songwriter, especially of songs concerning his experiences of life in Glasgow. Matt died on January 6th as a direct result of smoke inhalation and although his parents brought him up to be a Roman Catholic he later abandoned religion.

The large congregation at his funeral sang the Communist anthem 'The International'. Fraser McGlynn and his Broadcasting Band. Fraser McGlynn was born and brought up in the village of Tarbert in Argyll.

He started playing the button key accordion at the age of Teaching himself both to play and read music, he won the Scottish Accordion Championship at Perth in and again in His band was formed in and they passed the BBC broadcasting audition the following year.

Regular broadcasts followed and in the early s they recorded two LPs with Scotia. The band travelled extensively, playing at dances, concerts and accordion clubs.

Of the original band members, sadly Duncan Mackay and Willie Robertson are no longer with us. Davie Scott has long since retired but Sandy Black has come out of retirement to play bass in Fraser's youngest son Ryan's broadcast band.

Fraser still plays regularly as a duo with his oldest son Kevin on drums, but has more or less retired from the accordion club scene - he concentrates his musical efforts now more on tuition.

Info from www. Jim McHarg born James McHarg in in Glasgow started playing drums then played banjo before specialising in double bass.

He moved to Canada in and returned to the UK in early In he worked with Dick Charlesworth for a few months and then formed his own band in He then toured for a year before emigrating to Canada, where he lived and played in Vancouver, then in Toronto from the late s.

A Glaswegian of Highland and Irish descent, his lifetime involvement in song, ballad and poetry is reflected in his singing, collecting and songwriting.

His early years as a radio and television technician and later as a Modern Studies teacher, coupled to his passion for the outdoors have in diverse ways fueled and complemented his central interest in folk music.

He has an extensive repertoire and has sung at clubs and festivals in most corners of Britain and Ireland and more recently in the USA. Robin McKidd.

Rab Noakes was known to fill in on vocals occasionally. The latter was written by fellow Scot, Donovan who also plays guitar on the recording.

They also had Jimmy Page of 'Led Zeppelin' of course playing guitar on some of their discs and supported 'The Beatles' on some of their Scottish dates.

Sadly Sheila died December aged Monaghan had both been uilleann pipers, though Pat himself began playing tin whistle, fiddle and piano before taking up the pipes in the s.

In the following decade he dominated the All-Ireland pipes championship, winning the title on six occasions.

Naturally, he was an original member of the NPU and was the first person to be recorded by Brendan Breathnach who had set himself the task of taping all pipers present.

His own first album appeared in , but the only one currently available is Autumn Apples where, in part he uses a full set of Egan flat pipes from the midth century.

Other pieces include the grand lament from Co. Info From: thereelbook. The McPeakes. The McPeake family of Belfast were one of the few Irish pre-ballad boom groups.

That they were better-known abroad than at home is illustrated by a story told about a conversation between Bob Dylan and Bono of U2 in The legendary singer asked what Bono thought of the McPeakes.

The Dublin-born Bono had never heard of them. The group was built up around the grandfather, Francis I, who had studied pipes under the blind Galway piper John Reilly, and had won prizes at the Belfast Feis and the Oireachtas.

His musical career began as a triangle player in a flute band of which his brother John was a founder member, around He acquired a set of O'Mealy pipes and developed the unique facility of being able to sing and play at the same time, a combination repeated with great success by The Fureys and Planxty albeit using both a vocalist and piper.

They have also performed in Moscow. Other admirers included Van Morrison and John Lennon who once asked Francie to teach him the uilleann pipes and almost bought a set from him.

The group featured vocals, two uilleann pipes, two harps, banjo, guitar and tin whistle. Their most famous song, 'Will Ye Go, Lassie Go', written by Francis Senior, was recorded by The Clancys and The Byrds in the s and Rod Stewart after copyright hiccups were sorted out in the s, but they also passed other folk songs on into the tradition.

Another song they performed, 'Purple Heather', was recorded by Van Morrison. Francie II suffered an accident to his right hand in the early s which meant the end of his career as a full-time performer, but he never gave up playing altogether.

Although the group ceased to play for some time after the death of Francis I in , they formed a new line-up in the s which did club work in the North.

Morris McPhillips. They toured Britain and Europe during the s and recorded a number of albums. Their repertoire contained mostly Celtic Irish and Scottish traditional music with some English music too.

Advance promotional copy with the sides reversed. A five piece UK band with George Davies on vocals. I assume that he was 'me', but I don't think 'them' was Them!

Info courtesy of: www. They appeared twice on the famous sixties TV show 'Thank Your Lucky Stars' and completed one national tour before disappearing.

Medicine Head. John Fiddler - vocals, guitar, piano, drums Peter Hope-Evans - harmonica, jew's harp, mouthbow. None charted and they split in The Memphis Roadshow.

He was also a member of many bands including ' Rockin' Chair '. They supported ' Curved Air ' at the ballroom on Sunday afternoon 3rd October Later that year they would rename again as ' The Flying Hat Band ' and headline at the ballroom in when Wizzard refused to play.

The Merseybeats were created during from the remnants of a previous group called the Mavericks in which Crane and Kinsley had been members.

The new group became a popular local act and soon became signed to Brian Epstein in the rush to find Liverpool talent. However, the relationship with Epstein did not last long because the group's ideas on the direction they wanted to take clashed with the Beatles' manager.

Their stage act was a good deal closer to rock and roll than the ballads that they recorded for their 45s. Nevertheless, they managed 28 with their first release and broke the top ten with "I Think Of You".

Although their subsequent releases were generally well crafted and gained reasonable chart placings, they never quite managed to produce another really substantial hit.

By record buyer's taste for the Mersey sound was beginning to fade and the prospect of a further hit was probably dying too.

The group split up, but Tony Crane and Billy Kinsley decided to try as a duo and suitably abbreviated their name to 'The Merseys'.

The new sound worked well and Crane and Kinsley actually had their biggest success in this guise with 'Sorrow' which took them to 4 during the spring of However, despite a few more tries, it would be the last hit that the pair would have together.

The Merseybeats later reformed with new personnel under the stewardship of Tony Crane and have been active at s nostalgia concerts for many years and still are.

Mickey Finn. Norrie Whitelaw - vocals Eck Paton - guitar? Local Fife covers band. Many thanks to David burns for the above info.

He is sadly no longer with us. Mike Felix, Gilbert Lucas and Lenny Blanche had originally started out as a three piece jazz combo before adding Red Lambert to the line-up.

At this point they became the Migil 4, making the unusual name up for the group from the first two letters of founders Felix and Lucas' Christian names.

It was in this new guise that their style took a turn towards rhythm and blues. However, it was the addition of saxophonist Alan Watson - thus becoming the Migil 5- that allowed them to create a fuller sound.

It is notable because, although the group came out of the North London area, it adopted a strong 'ska' beat which was then still unusual outside of the West Indies.

Apart from one further minor hit in a similar lilting style to Mockin' Bird Hill, the group were unable to find much more success on record.

In fact the group seems to have generally drifted towards Essex - Lenny Blanche started a successful restaurant The Boatyard at Leigh On Sea and Gil Lucas moved into the business of pub and entertainment management, but didn't give up his music.

So sadly we are not going to see the original Migil 5 on the nostalgia circuit. Director of Music Wing Commander R. The largest number to come from any one big-time band were the eight who joined up with Jimmy Miller from the Ambrose Orchestra - at that time generally acknowledged as the best in the land.

They were the cream of their profession and no civilian bandleader of the day could have afforded the salaries necessary to keep them together.

Apart from his musical ability, Jimmy had talent as a personable singer and the rest of the band voted him leader, although he was only a Leading Aircraftman at the time - the lowest of the low.

For six years the Squadronairs played at camps up and down the country, and on the Continent as the Allied troops advanced into Germany, broadcasting frequently and making a regular stream of records.

Trombonist George Chisholm, for example, left the band to become a successful comedian in the long-running Black and White Minstrel Show, although he always preferred to be known as a musician.

He was survived by his wife, Mary, and sons Martin and Gordon. A nice touch, don't you think? Garry Mills. The British Garry Mills.

The American Garry Miles. The song 'Look for a Star' composed by Tony Hatch using the pseudonym 'Mark Anthony' as he was a serving soldier at the time was written as the theme song to the horror film, Circus of Horrors and recorded by Mills in the UK for Imperial records.

This caused understandable confusion which is alleged to have been deliberate. The single's sleeve even suggested that the US version featured in the film whereas while it is true to say the song itself did feature in the film, it's in the guise of the UK Garry Mills original version!

A third and again similar vocal version was recorded and released by Deane Hawley in the US and an instrumental version by Billy Vaughn both in Kevin Mitchell.

From a very early age he was interested in Irish songs, music and dance. He followed this interest at every opportunity and, while involved in learning the Irish language, an opportunity arose to learn traditional songs first-hand from traditional singers.

He also helped Kevin learn songs and introduced him to several of his relatives who gave him ballads, which he still sings.

Later he attended Friday night ballad sessions in Buncrana where he was fortunate to meet a host of singers with good songs, including Corny McDaid, who gave him many fine songs and ballads.

He finally settled in Glasgow in He has continued to search out songs throughout the years and has appeared at many clubs and festivals in Britain, Ireland, Canada and the USA.

On Sat 3rd April the band launch their first EP in Velocity, Dunfermline to an expected sell-out crowd of people! With support from Manchester band The Vortex and more.

My thanks to Stuart Prentice for this image. The Mojos were one of the few Merseyside groups to be signed to Decca.

They had originally called themselves the Nomads and still had Adrian Wilkinson on lead guitar at the time they cut their first single, becoming the Mojos.

He was soon replaced by Nicky Crouch, who had previously played with a group called Faron's Flamingos who had themselves cut two unsuccessful singles on the Oriole label.

After their first single failed to chart the Mojos departed for Hamburg following the trail well worn by so many UK rock and roll bands of the period.

While they were actually in Germany they cut their second single, 'Everything's Alright' which was penned by the group themselves. The record became the group's only top ten hit.

The Mojo's next single, written by their pianist O'Toole, and its follow up both made the chart. However only the first hit comes near to capturing the excitement of their live act.

However they continued to record as a four-piece benefiting from the addition of a new drummer, Aynsley Dunbar and a bass player called Lewis Collins.

None of the band's subsequent recordings sold very well including one attributed to 'Stu James and the Mojos', and it finally broke up in January Lewis Collins became a professional actor and is best known for his part in the TV series 'The Professionals'.

Glasgow band active in the early seventies, from Shawfield I believe, played at the Kinema 15 times.

I understand the name may be associated with a burn which flows under the pitch at Hampden from between the South and West stand at the Mount Florida end and comes out under the East Stand the Aikenhead Road end.

She appeared at 'Hollywood Boulevard' as part of the sixth and last 'Hit Man and Her' show recorded at the venue, singing her single release 'Get Sweet Love' on 5th August Zoot Money's musical career began in his home town where he rapidly became a popular local attraction.

It was there that he formed his first line up of the Big Roll Band during However, Zoot decided to try his luck with Alexis Korner in London and spent a period with Blues Incorporated before moving on again and producing a new line up of Big Rollers during These included the impressive guitarist Andy Somers who had temporarily changed his name from Summers at about this time.

Sadly, Zoot never quite managed to capture the same sense of fun on his recordings and none of their excellent singles made any impression except the wonderful 'Big Time Operator'.

Zoot split the band again during and resurfaced with Somers and Allen as 'Dantalian's Chariot', hoping to carve out a new niche in psychedelia.

When this didn't work out- perhaps Zoot's image stood in the way of him being taken seriously- Zoot and Andy decided to join Eric Burdon's 'New Animals' which looked set for success in the US.

Andy Somers subsequently established himself with the 'Police' the band, not the constabulary! Their name is reputed to have come from an affectionate reference to a bass player before Bill who auditioned but didn't quite cut it as he was deaf in one ear!

They began with a wholly acoustic sound, but they slowly morphed into a more electric outfit as the popularity of electric-folk increased with the likes of Fairport Convention, Trees and their good friends, The JSD Band.

Johnny O'Donnel joined sometime later from 'Blackthorn'. I understand they used to do a little comic skit where Bill left the stage because of a purportedly weak bladder, only to return and add a heavy bass to what was an a cappella rendering of 'Da Doo Ron Ron'.

They made some good amateur recordings but were never signed despite touring extensively throughout the folk club circuit, in probably every club in Scotland alongside the best of their contemporaries such as ' The Laggan ', ' Gaberlunzie ' and the aforementioned JSD Band.

They held down a residency at the ballroom between November and October and ran the Folk Club during that time before playing regularly at the Bellville Hotel across the road in Pilmuir Street for more than a year.

They gradually grew weary of the format and a desire amongst some members to rock it up a bit may have contributed to their demise which came sometime in The Dunfermline Press Saturday 28th April He became employed as a driver- among other things- after his discharge from the army, but sought work as a part-time singer wherever he could.

This included making advertising jingles for TV commercials. He was given his first real break as a singer on Cyril Stapleton's 'BBC Showband' radio programme and through this eventually secured a contract to record, but his output received little attention.

He had developed a reputation for a singing voice that was frequently compared to Frank Sinatra, and although this was overstated it did lead to attention from EMI.

Future Beatles' producer George Martin was looking for a suitable singer to use as a 'spoof' Sinatra on a forthcoming comedy recording of Peter Sellers.

This was with Parlophone which was a label that EMI used for its comedy output during the late s, but was also now signing, more serious artists- indeed it would shortly include the Beatles on its roster.

Monro's singing voice thus appears on the famous goon's 'Songs For Swingin' Sellers'. Matt's first release on the new label didn't do much better than his previous efforts, however the next two both made the top ten and the guys at Decca and Fontana must have wondered where they went wrong.

At a time when younger record buyers were turning to beat groups, Matt had to work hard for his hits. However, they did come and his rendition of the Lionel Bart penned 'From Russia With Love'- from the Bond movie of the same name- also gave his international status a boost.

By the end of the s Matt's singles career seemed just about over, but he managed one further hit during with 'And You Smiled'.

Despite the lack of a market for his singles, Matt continued to be popular with his albums and TV work through the s.

He also worked the nightclub scene and had done well enough with his records in the USA to do so there as well as in the UK. Sadly, Matt Monro died from cancer during , thus robbing Britain of one of its most revered performers.

He was sometimes affectionately referred to as 'The Singing Bus Driver'. Most of their records were released on the Pye label between and and they included elements of comedy and a mime act in their stage show!

Rodney Clark - bass, vocals Justin Hayward - guitar, vocals John Lodge - bass Patrick Moraz - keyboards The Moody Blues has enjoyed a lengthy career, performing in a variety of styles and with a mixture of personnel.

Despite the fact that the group were mostly from the Midlands and came together in Birmingham, they soon based themselves in London.

Their first single did nothing, and is now a collector's item, but their second release rapidly went to the 1 spot.

This was 'Go Now' a magnificently made cover of the Bessie Banks original. Despite this early rise to the top they struggled to repeat the success but were rewarded with only lowly chart positions on their subsequent singles.

Laine reappeared some years later as an important member of Paul McCartney's Wings. This major change in the group's personnel made no immediate improvement in the process of making hit records.

However the reformed group did produce the highly regarded 'Nights In White Satin' which reached the 19 spot on its first release. Its re-release in would reach UK 9 and US 2 spots.

They consequently became respected as one of the most innovative and long lasting groups to emerge during the s. Christy Moore. Christy Moore was born in The eldest of six children, he grew up in Newbridge, Co Kildare.

Both his sister Ailish and brother Barry Luka Bloom are singers. His father had a grocery shop and was deeply involved in local politics.

Early influences included his mother's singing and Clancy Brothers recordings. On meeting the settled traveller John O'Reilly and the Grehan Sisters in Boyle he became aware of the large body of songs in the tradition held by people all around the country.

After leaving school he went to work as a bank clerk. A transfer to Miltown Malbay in Co Clare in brought him into regular contact with Willie Clancy and Micho Russell who he would meet in later years on their European travels.

For a brief spell he was involved in a duo with Donal Lunny called the Rakes of Kildare. He had known Donal Lunny through school and in the early s they were in a group in Newbridge called The Liffeysiders.

During a bank strike in he went to England, as many striking officials did, but didn't return when the strike was settled three months later.

Doing general labouring work, he frequented the folk clubs and the Irish music pubs where he met Seamus Ennis, Margaret Barry, Luke Kelly and traditional musicians.

This led to the formation of the group Planxty and the recording of the album of the same name. The first of the big folk and traditional groups of the s, Planxty combined singing with Irish dance music on Liam Og O Floinn's uilleann pipes, backed up by acoustic guitar and bouzouki chords first developed by Sweeney's Men in After recording two more albums he left Planxty and went solo.

Planxty was reformed in and Moore and Lunny rejoined the group for a couple of years. The album was a number one hit in Ireland. Along with the piping of Davy Spillane, the group combined saxophone, electric bass, keyboards and drums.

The band blended contemporary sounds with new ballads tackling political issues such as the North, nuclear power and the Anti-Apartheid campaign.

While these songs went down well with a younger, liberal-minded generation, they lacked Luke Kelly's clear commitment to socialist ideals.

They were most closely associated with the successful campaign against the building of a nuclear power plant at Carnsore Point in Co Wexford and their electrifying Hiroshimo, Nagasaki is a memento of the Irish anti-nuclear campaign.

The latter and The Spirit of Freedom included strong republican songs at a time when younger people in the South were turning strongly against the Provisional IRA's war campaign.

Included with the witty numbers such as Lisdoonvarna were songs about hunger striker Bobby Sands. He ceased to support the Provos after the bombing atrocity in Enniskillen.

In he became the first solo artist to sell out ten consecutive nights at the huge Point Theatre, Dublin.

It included his own compositions and a song North and South of the River, co-penned with Bono of U2, which reflected the mood of reconciliation leading up to the Northern truce.

Mike Moran. Mike worked a great deal with the late Freddie Mercury and their major collaboration was the album Barcelona which features Montserrat Caballe and Freddie together.

Mike and Freddie wrote all the material Sir Tim Rice co-wrote lyrics on three tracks and the album was co-produced by Mike and Freddie. Queen also recorded tracks written by Mike and Freddie.

Ian Hunter, who was neither, and who nearly didn't turn up for the audition, got the job. They toured the UK relentlessly, and their explosive stage act soon gained them a live following few bands get.

But they couldn't sell albums, and so after four crazed but poor selling albums they split, in March Later that year long-time fan David Bowie persuaded them to reform, offering them 'All The Young Dudes' since they had turned down 'Suffragette City' twice!

Switching to CBS, and with 'Dudes' a hit on both sides of the Atlantic, Mott finally found the success that had eluded them for so long.

But the new musical direction didn't rest easily with some band members, and the line-up started to change. Verden Allen left the band early in and this may explain their non-appearance at the ballroom on Sunday 14th January.

He was becoming increasingly upset that his songs weren't being used and that "the image was replacing the music", and it was felt within the band that Allen's vocals couldn't stand up to the scrutiny of live or recorded performance.

During a show on the tour, his on-stage insults and arguments with Hunter reached the point where he just stormed out. Mott had always been a democratic band - they wouldn't sack Allen unless they all agreed - but this time they felt compelled to accept his resignation.

Out went Mick Ralphs, in came Ariel Bender. Despite huge live success he was less than inspiring in the studio, and he lasted just one album.

In came Mick Ronson, but far from being the band's saviour he proved the catalyst in the band's destruction as finally Ian himself realised he had had enough.

The remnants recruited a new guitarist and a new vocalist, but despite a name change first to Mott, then to British Lions it was never the same, and they finally disbanded for good in Ian, meanwhile, has enjoyed a varied and successful solo career, working on and off with Ronson until Mick sadly died of cancer in He has continued to tour regularly - another good album in was followed by live DVDs in and The Ian Hunter story is still being written Mott The Hoople played the ballroom on Sunday 17th January and were billed to appear almost exactly two years later on Sunday 14th January but the gig was cancelled as described above.

Ticket price was to have been 75p! They were a product of the psychedelic era, but perhaps inevitably were heavily influenced by the Beatles work of the time.

Despite this they were one of the most innovative groups to gain a chart presence and even today their work sounds musically inventive.

Chris 'Ace' Kefford and Trevor Burton decided to leave the group after the first few successful singles. These included 'Flowers In The Rain' which gained notoriety for its inclusion of a picture of the Prime Minister of the day, Harold Wilson - taking a bath.

The group were successfully sued and their royalties for this particular record went to charity. Despite personnel losses, and acquisition of Jeff Lynne, it was evident that Roy Wood had become the group's driving force.

The hits went on into the s, but by the summer of the group had evolved into the 'Electric Light Orchestra'. Wood left shortly afterwards to move his inventive musical talents to the raucous 'Wizzard'.

Luton vocal band, The Mudlarks consisted of two brothers and their sister. A recording contract with Columbia quickly followed on from their appearance on the popular ' Special' television show.

Noel Murphy. Noel Murphy is a Kerryman. Born in Killarney in November , his family moved to Dublin in , where they still live. He came to London in Whilst working at various jobs he started going to folk-clubs, and having spent a short apprenticeship as a floor-singer, became a full-time folksinger in He was well prepared for his vocation - in his schooldays he'd been an actor, a drummer and a goalkeeper.

His easy going humorous style soon got him plenty of work, including being the first resident at the all-night 'Les Cousins' club in Soho, where he compeered and performed alongside the likes of Alexis Korner , Ralph McTell, Sandy Denny, Bert Jansch, Alex Campbell and many, many more good companions.

Folk-clubs were sprouting up all over Britain, and Noel was opening many of these clubs. He started going abroad in , when he busked to Greece and back, and has since taken his songs and stories to over 50 countries.

His first recording came out in on Columbia, and he subsequently recorded albums for Fontana, Village Thing, M. Davey went on to become Elton John 's lead guitarist and bandleader, and remains such.

Noel has appeared on over television programmes and has broadcast on radio, over times. Noel has always loved sports, especially golf, Gaelic games and Rugby Football.

He was a caddie as a youngster, his first handicap was 5 and he became a scratch golfer, playing for both Surrey and Middlesex in the '70's.

He has held or shared 6 different course records, has had 14 holes-in-one, and has partnered over 70 Ryder Cup players and several Open champions.

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